With controlled, repetitive mark-making, I construct dense fields of lines and hatched strokes that accumulate into form. The process is slow and deliberate, but the resulting structures feel unstable—hovering between order and fragmentation. I use abstraction not as a retreat from representation, but as a way to test how little is needed for a form to hold. Shapes emerge, dissolve, and reconfigure, resisting any fixed reading. What remains is a tension between precision and collapse, control and drift. The drawings operate as systems rather than images. Geometric and organic elements coexist, often competing for dominance within the same space. Patterns repeat, interrupt, and overwrite each other, producing a sense of movement without narrative.